The Best Social Media Tool: Film

When I evaluate all the available social media tools available today, the one that stands out as the most effective in its ability to reach an audience is video and especially online video. As of 2010, YouTube is the second largest search engine behind Google. That is an amazing statistic. What does that mean? Well, people are spending a whole hell of a lot of time searching for video or while watching video. Either way, you are way behind if you are not currently using video or seriously thinking about using video in relation to whatever message you are trying to get out. It's time to get in the game.

We all recognize film and video as entertainment, but beyond that what is it? Moving images are engagement objects that audiences find entertaining, instructional, educational, or may be used for marketing, sales tools, interview series, research, live events and more. The possibilities are endless. So, how does this benefit you? With the proper film or video, you are able to tell a story, share an experience, enlighten and inform others. Now the big question, how does a film or video become social media tool? What do we do when we see something fun, informative or engaging? We talk about it, share it, buy it, save it and if we made it we post it online. Once something visual makes it to the internet, it is there forever to be watched over and over.

As I mentioned last month, it has been found that audiences are far more receptive when receiving a message from an emotional level rather than a rational level. Most ads or marketing messages force people to examines the advantages, benefits and features of whatever is being thrown at them. When watching something entertaining or informative the emotional gate is open and this relates more to trust, love, identification and belief. It has been noticed that films or video operate at the emotional level.

So, if you are trying to convey a particular message or position a brand in the minds of your audience, be a little more creative and place your brand within the context of a story. The best and most cost effective way to get that story out is with film or video that you disseminate online. Full Throttle Media can help you develop that film or video to reach your audience.



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Seth Horne

Market Reach with Full Throttle Media Films

In order to reach, I mean really reach, your audience you have to entertain them rather than approach them with a hard sell.

Film is one of the most elaborate examples yet of the intersection of the entertainment and advertising industries, with the internet shaping up as the main distribution crossroad.

We are seeing more sophisticated techniques, such as short films, where the aim is to sell a product, but to cleverly do the advertising in a subtle way. These short films can be very entertaining and exciting, but also promote a product behind the main theme.

There is evidence of shortened attention spans and a greater effort to break through the clutter of multitudinous brands and media vehicles. The best way to deliver the message is to catch the customer off-guard when the rational defenses are down. The best way to do so is to use the emotional gate rather than the rational gate. The rational gate examines the advantages, benefits, features and seeks value for money; the emotional gate is all about trust, love, identification and belief. It has been noticed that films operate at the emotional level. These aspects can be leveraged by super brands.

Thus, the prime value of Full Throttle Media projects is reflected in the tremendous opportunity available for advertising exposure through our sophisticated approach to contextual brand placement or themed media campaigns associated with our film projects.

Sponsors find our programs extremely valuable marketing vehicles through which they can target the various demographic rich sports enthusiast communities where Full Throttle Media has developed relationships. All our film sponsorship packages can be customized, specific to the corporate strategies and/or the institutional guidelines of your company’s interests.

Advantages of brand placements in Full Throttle Media films:

• Diminishing cost due to the longevity of video online and in DVD form
• Brand exposure is revived and revisited several times as film's are watched
• Lower cost relative to broadcast or print media and the ability to reach target audience
• With the average 30-second spot costing $50,000-$400,000 or more, product placement is a minor expense
• Ability to integrate your product and/or theme into the production
• Achieve significant increase in brand awareness amongst audience
• Film is a clutter-free environment
• Not subject to surfing, zipping or muting (unlike in TV and other media)
• Since your product is integrated into the show, you have a 'captive audience'
• Ads catch people in a receptive mood
• Tremendous opportunity for cross-promotions

Our films are an extremely valuable marketing vehicle for power brands to target the demographic various rich sport enthusiast community and related recreational enthusiasts.

Go Full Throttle Media! Share the experience, sell the dream...
FTM
Seth Horne

Cancellations

This is just a follow up to last months post. I am left shaking my head. After spending a solid year putting together a ground breaking film series, the jackass who was handling the financing tells me the country who was to be the principle financier is unable to get their business together. In a nut shell, they were so busy trying to figure out how to steal all the money that they did not realize how they had driven the process into the ground. What can you do except Go Full Throttle.

Go Full Throttle Media! Share the experience, sell the dream...
FTM
Seth Horne

The bete noire of production

Nothing in the production world, or for that matter any economic endeavor, happens without financing. In the media production world, financing is always very difficult due to the risk involved. There are so many variables at play that effect the outcome of a project. But, when you are relying on others to pony up the dough, you are at the mercy of either a bete noire or an angel. All of us, who have dealt with film financing, know how chaotic the process can be up until the cash is in the bank. At Full Throttle Media we have had to deal with some less than honest characters.

Why is it that so many people are ready to back a production without even knowing what the process entails. Grand dreams of getting rich over night seem to pervade. It is usually greed or the bete noire of financing that grips these souls. I am usually left shaking my head in amazement at how fool hearty these depraved jackholes are.

Just the early part of this fall, after a year of discussion with the ministry of tourism in a certain country who were real eager to fund a big project the entire process came to an abrupt halt. It was their greed that screwed up the whole deal. As it turns out, certain officials had grand designs on absconding the money once it was released by the Government and leaving Full Throttle Media holding the bag. I hope these corrupt officials have their day in the sun.

The thing that irks me the most is not having the project fall apart, that is a regular occurrence in this biz, but having my time wasted. Greed and corruption are a motherf***er that will drag you down. I am glad to have not gotten caught up in this BS. My philosophy is to follow the way of my father and be the bigger man. Do what is right for those involved in the deal, think less about yourself and everything will work out well. As for the bete noire of financing, beat that fool down.

Go Full Throttle Media! Share the experience, sell the dream...
FTM
Seth Horne

What's wrong with sport fishing films and TV

What's wrong with sport fishing films and TV? Arrrrrgh! How disappointing the programming continues to be. And to think, some of these shows are being renewed for another season. Let's see, where do I start with this conundrum?

Aaah, the show concepts themselves is a good place. There has to be some creative fishermen out there that can conjure up a show genie to bring forth an engaging, entertaining and educational production concept. Can we please move beyond the show where some angler with novice skills plays hosts, displays a real lack of fishery knowledge and then promotes the cheesy, that's right, cheesy resort putting him up for the length of the production. Let's move beyond this format. How about build a show around a fishing captain, guide or angler that actually possesses real depth of knowledge of more than the spit of water in his backyard. They do exist.

Now the good part or should I say the most broken down aspect of fishing shows. Destinations! Out of respect for all those that fish around the world, can we see some new destinations? It seems that for the past eleventy billion seasons, we have held hostage to the same destinations in every show. Florida and the Florida Keys, Pinas Bay, Panama, Central Pacific Costa Rica, Cabo San Lucas, Mexico, Alaska, Alaska, Alaska... Damn, enough already. Step out of the box. I understand budgeting drives much of this, but there are so many other affordable options around the world.

There used to be great show concepts and talented sportsman as hosts. Think Curt Gowdy and the American Sportsman or Flip Pallot and The Walkers Cay Chronicles. Now these guys had it going on. Consummate sportsman, terrifically engaging personalities and angling skill to boot. On top of that they really traveled to some off the beaten path destinations. The premier episode of American Sportsman took place in the Andes Mountains of Argentina, in 1964, with Gowdy and Joe Brooks fly fishing. There was no blurring the edges or covering over of personality flaws, this was gritty hard nosed outdoor action.

Since that time, and all the way up to and beyond Flip's show, the fly fishing community seems to have figured out how to put real entertaining projects together. Just like the skiing, surfing and skate boarding communities, fly fishermen have figured out how to produce films and videos that the audience wants to watch. Some of these have developed develop real cult followings. As I look at my video shelf, it is not hard to notice that of all the kick ass films and videos non are from the conventional sport fishing genre. Why can't the sport fishing community figure out how to put together some clever films and videos on top of good quality television programming? This is a mystery for the times.

One last thing. Many of the companies involved in producing these worthless sport fishing shows acknowledge the shows are bad, but continue down the same road because it is easy. This is funny.

I have a plan to fix this. Stay tuned!



Go Full Throttle Media! Share the experience, sell the dream...
FTM
Seth Horne